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GuitarInferred0
Hail to the King
Avenged Sevenfold
Tone Snapshot
Pickup: Likely bridge humbucker in Synyster Gates' signature SchecterTone profile
Gain
Tightness
Brightness
Mid Scoop
Ambience
What makes this tone
- High Gain
- Bright Attack
- Delay
- Reverb
Signal chain
- Guitar: Schecter Synyster Custom
- Pickup: Likely bridge humbucker in Synyster Gates' signature Schecter
- Amp: Likely Schecter Hellwin high-gain amp
Tone Character
Recorded tone character
Gain character
Controlled modern high gain with less saturation than earlier Avenged Sevenfold tones.
Bass
Firm, large low end without excessive boom.
Mids
Moderate and solid, preserving the deliberate classic-metal riff shape.
Treble
Clear and cutting but not fizzy.
Brightness / presence
Moderately forward presence for definition.
Compression
Tight modern amp compression with deliberate pick attack.
Effects
Core rhythm is comparatively dry; lead layers may add delay/reverb.
Evidence / Sources
Tone character: heavy, deliberate, dry, controlled, classic-metal influenced, punchy
Targets the title track's main heavy rhythm reference. Hellwin and signature Schecter evidence is album-era; exact title-track tracking details are not treated as fully documented.
Effects
Core rhythm is comparatively dry; lead layers may add delay/reverb.
Original Gear
Guitar
Schecter Synyster Custom / signature dual-humbucker guitar, album-era reference
Amp
Schecter Hellwin high-gain amp, Hail to the King-era reference
exact title-track studio blend is not fully documented
Channel
Likely high-gain lead/rhythm channel
Pickup
Likely bridge humbucker in Synyster Gates' signature Schecter
